"A dive into bucolic bliss": my review of tennis ace Andy Murray's revamped Cromlix country house hotel

I did my first restaurant review as a new contributor to Bite Magazine - and visited the newly refurbished five-star Cromlix near Dunblane, owned by Kim and Andy Murray and with Chef of the Year 2024 Darin Campbell in the kitchen (although my photo below is of Chef taking time out to chat in the bar) …

The sedate drive along the tree-lined avenue in all shades of green that leads to Cromlix sets the quietly dignified tone of the boutique Stirlingshire hotel near Dunblane, owned by Scots tennis ace Andy Murray and his wife Kim. 

The interior design, where every room of the former Victorian mansion is filled with gloriously dense colours and dramatic wallpaper patterns drawn from nature, underpins an all-pervading sense of cohesion. Belfast-based interior designer Suzanne Garuda worked with Kim Murray last year to help her put her stamp on the hotel after taking it out of the ICMI hotel group. Even the bedrooms are named after local plants and herbs, and aromatherapy toiletries supplied by Edinburgh-based MODM exude botanical essences. Vases of fresh mint and chive flowers by heard gardener Sarah Janisch Corser add an extra feminine touch. It’s a big change from the days when the rooms were named after (mostly male) Scottish heroes. 

Artworks in the entrance hallway - mainly Damien Hirst and David Shrigley from the Murrays’ private collection - prove to be an instant talking point as they do tend to deliver a jolt of metropolitan energy.

Paintings on loan from the Royal Scottish Academy include Elizabeth Blackadder, William MacTaggart, William Gillies, Ashley Cook and Albert Morocco and hang in the bar, drawing room, billiards room and private dining room. Interestingly, despite its Scottish roots, there’s not a square of tartan to be seen. 

The organic vibe continues into the Glasshouse restaurant overlooking the vast grounds (where we spotted free-range chickens roaming the croquet lawn). The quietly-spoken executive head chef Darin Campbell - recently named Chef of The Year award at the Scottish Excellence Awards 2024 - has been at Cromlix for over a decade, including the years the restaurant was part of the Roux empire. 

His new menu continues to promote local provenance and home-grown veg from his kitchen garden, now with global and Asian influences and with the added clout of in-house forager and herbalist Lauren Lochrie: think a dish of St Bride’s chicken with foraged nettle puree, or Scottish red snapper with beetroot and herb cavatelli. 

Sushi rolls with miso taramasalata and kimchi mayo with crispy octopus were gently zingy starters, as was my grilled mackerel fillet with coconut and toasted peanut chilli salad with avocado and pickled ginger. We had a wood pigeon terrine with Perthshire rhubarb and braised chicory with saffron milk bread. And the warm infusion of a spicy broth with gamey Newtonmore venison loin in a ramen from the specials menu was a delightful new experience for me (there is also a choice of Loch Duart salmon ramen on the main menu). A pink Aberdeenshire rack of lamb and shank with glazed Scottish asparagus and carrots hit the spot with my partner. At breakfast, the stand-out was the new porridge brûlée with whisky, cream and caramelised Demerara sugar.

Chef Darin, a farmer’s son from Largs, was head chef at two-star Restaurant Andrew Fairlie for over five years (earlier he worked with the late chef Andrew at Glasgow’s One Devonshire Gardens and names him as his mentor whose influence continues to this day). He also worked with Gordon Ramsay and Marcus Wareing in London. At the new-era Cromlix, it’s clear he is relishing the freedom to develop his innovative, delicate, modern menus - in his own unassuming way.

A visit to Cromlix House is a dive into bucolic bliss. Which, for the Murray clan, clearly comes as second nature.

www.cromlix.com/

FOOD NEWS`: Scottish university develops replacement for palm oil that's healthy and environmentally friendly

“It is very satisfying to have developed a product which delivers on so many different levels for the food industry, satisfies growing consumer market for tasty healthy foods, can support local economies - and won’t damage the environment.”

Good to see the OTHER big news story of the day getting some deserved media attention … ICYMI I’ve posted the full press release from Queen Margaret University (QMU) below : 

University food experts have developed a new ingredient to replace palm fat in a wide variety of products across the bakery sector, such as cakes and biscuits.

  • This development could reduce dependency on palm-based ingredients.  

  • New palm fat replacer is healthier than palm oil – with less total fat and less saturated fat and increased fibre and protein. It is also allergen-free, coconut-free, and has no added sugar, sweeteners, flavourings or colourings.  

  • New ingredient is 100% plant based, clean-label.

  • All the materials in the new ingredient can be sourced from within the EU and UK. 

  • New ingredient addresses both sustainability and nutrition goals. 

Food experts at Queen Margaret University (QMU), Edinburgh have developed a new ingredient which has the potential to replace palm oil in bakery products. The new palm fat substitute is healthier and more environmentally friendly than palm oil, which is currently used in a vast amount of baked goods. The University’s novel replacement ingredient could offer significant solutions for the food industry allowing manufacturers to satisfy increasing consumer demand for tasty, lower fat, healthier food products, whilst reducing deforestation of the world’s rainforests. 

Working successfully as a replacement for palm-based fat in baked goods, the newly developed ingredient, which has 25% less fat and 88% less saturated fat, allows goods, such as cakes and biscuits, to maintain their texture, flavour and colour. 

Palm oil is a major functional fat ingredient used widely across the food industry in products such as cakes, biscuits, pastries, confectionery, ready meals and sauces. Due to its composition, high yield and low production costs, the food industry has become increasingly dependent on palm, resulting in its over-cultivation. Its high saturated fat content, which allows it to remain solid at room temperature, has proven crucial to the industrial bakery sector.

The new ingredient, which includes a by-product from the linseed industry, fibre and rapeseed oil, can be produced locally at the global scale and is cost-competitive. If used by the food industry to replace palm oil, it has the potential to significantly lower greenhouse gas emissions by reducing the impact of food miles and deforestation of global rainforests associated with palm production. The implementation of this innovative new strategy would assist the food industry in reducing its reliance on the over-cultivation of palm.

The innovative new palm substitute known as PALM-ALT has been developed by Dr Julien Lonchamp, Reader in Food Science, and Catriona Liddle, Head of the Scottish Centre for Food Development and Innovation (SCFDI) at Queen Margaret University, Edinburgh. The team has been motivated to address the current challenges facing the industry and provide a positive solution to the environmental damage associated with current palm cultivation. 

Catriona Liddle explained why palm-based fat is such an important ingredient to the global food industry. She said: “Palm based fat works particularly well in bakery products due to its composition, taste and mouthfeel. For example, it helps produce cakes which are light, with a good taste profile which has a pleasant mouthfeel. 

 “However, despite efforts to develop more sustainable cultivation practices, the industry has found it difficult to identify another fat which delivers the cost benefits and physical characteristics (bland taste, food shelf-life and ambient storage) that palm offers, and which is not linked with health concerns. Currently there is no palm oil replacement that is sustainable, healthy and cost-effective.”

Catriona continued: “Palm can only be harvested in rainforest areas of the globe, thousands of miles away from many of the countries that use the product. Current production methods leading to deforestation of tropical rainforests in Malaysia and Indonesia have led to the destruction of animals’ natural habitat, and high greenhouse gas emissions linked to its global transport. It is therefore essential to develop an alternative product, which works well for the food industry and helps reduce the world’s overreliance on palm.”

The University’s research confirms that the new replacement product, which has a mayonnaise style consistency, is palm and coconut free, 100% plant-based, healthier due to having less total and saturated fat, and more sustainable. It’s not only better for the environment, it’s also a wholesome, clean label, allergen-free product with no added flavourings, sugar, sweeteners, preservatives or colourings.

 Dr Julien Lonchamp discussed the motivation behind the research: “We set out to develop a new ingredient that would not only be better for the environment but also healthier than palm fat and current alternatives.

 “Following a preliminary study to show the potential of a novel ingredient composed of a linseed industry by-product, fibre and rapeseed oil, the QMU team secured funding from *Innovate UK to demonstrate the feasibility of PALM-ALT, develop its production to factory level, and collaborate with a range of food companies to develop palm-free versions of their commercial products.”

 Discussing the success of the PALM-ALT research project, Catriona stated: “It is very satisfying to have developed a product which delivers on so many different levels for the food industry, satisfies growing consumer market for tasty healthy foods, can support local economies and won’t damage the environment.”

Dr Lonchamp confirmed: “Our team has patented the PALM-ALT composition and process and we are currently in discussions with a number of partners to implement the novel palm replacer at the industry level. We are therefore keen to connect with food companies who are interested in replacing palm-based fat in their products using our novel ingredient.”

 *Funding for this research project was provided by Innovate UK via their Sustainable Innovation Fund in 2020-22.

"I get the feeling Scotland is on the cusp of a gastronomic explosion of ideas and talent that it hasn’t had before”: New York chef Paul Liebrandt in Glasgow

"I get the feeling Scotland is on the cusp of a gastronomic explosion of ideas and talent that it hasn’t had before”: New York chef Paul Liebrandt in Glasgow

Chefs Paul Liebrandt (left) with Graeme Cheevers at Unalome as they start prep on next week’s eight-course four-hand dinner

Paul Liebrandt can’t keep his eyes off a fresh delivery of XXXL langoustines from the Kilbrannan Sound and North Uist as they kick and twist in their boxes. The renowned chef has just arrived direct from New York at Unalome, the recently Michelin-starred Glasgow restaurant owned by his old pal Graeme Cheevers, where they’re cooking an eight-course four-hand dinner in three days’ time (May 9 and 10, 2022). Despite what must be a bit of jet-lag, he’s alert to the task ahead – and already seems to be loving what he sees.

“These are just phenomenal,” he says dreamily as he appraises the hyper-local super-fresh shellfish, his expert eyes also taking in a massive fresh turbot as it is deposited on the counter by supplier John Vallance. “You guys are truly blessed for the quality of your seafood, your langoustines, scallops, white fish. To me, it’s this that makes Scotland part of the global gastronomy movement.” A tantalising subject to which we will return later.

Right now, time is of the essence. New York-based Liebrandt – the high-energy star of the film A Matter of Taste who trained with Marco Pierre White, Raymond Blanc and Pierre Gagnaire; has two restaurants in Bangkok, one under construction in Miami and plans another in New York; whose former restaurant Corton gained two stars in the New York City Michelin Guide within months of opening; who now runs his own consultancy Crumpet Management; and whose cooking has variously been described as “outre”, “exciting” and “daring” – has been invited to cook at Unalome by long-time friend Cheevers, who earlier in his own stellar career did a stage at Liebrandt’s The Elm restaurant in Brooklyn.

Liebrandt’s presence in Glasgow, which he has never visited before, has created quite the stir: the special two-night event, at £400 a head including paired wine, was booked out within two hours. As result which prompts Liebrandt to declare: “If anything, this is undercharging because for what you’re getting makes it actually very reasonable.”

Chef Cheevers says simply: “Working with chef Paul is good for my staff, it’s a  new experience for them and I’m sure they will gain from it. It’s also good for Glasgow to get a taste of high-level New York gastronomy without having to travel.”

For his part, Liebrandt’s admiration of Cheevers is expressed thus: “He’s very focused, organised, thoughtful, disciplined. That’s the way to be. The shouty bully-boy head chef is yesterday’s hero.

“I trained in that environment. I never really enjoyed that side of cooking because it didn’t bring out the best in the team. Thankfully that’s in the past.”

Chef Paul at his former Brooklyn restaurant The Elm, where Graeme Cheevers staged (Photo ©GQ.)

We grab a moment to chat over super-strong espresso. Chef Paul opens a thick black folder and we scan its contents: meticulously itemised ingredients for each fish dish he will be responsible for (chef Cheevers is doing the meat courses because chef Paul “wanted to work with Scottish seafood”), intricately detailed prep instructions, and finally the recipes, explained step by miniscule step.

The bespoke menu is typically tight-lipped, but imparts just enough to hint at deep complexity and high creativity. One dish is Langoustine Harlequin.

“There’s a lot of detail,” he says. “For this there are two different preparations of langoustine: grilled over white Japanese charcoal then wrapped in saki gelee. I’m using natural colours of beautiful spring green garlic leaf, white coconut milk, red wine with hibiscus.”

Turbot will be served with scallop farci, fraise de bois and goat milk Chantilly.

He says he has “no idea” how many ingredients are involved. “Each dish is focused on one ingredient and it’s the story of that ingredient. It’s not complicated, but it’s graphic.”

Presentation is paramount, for its leads to other things. “We eat with our eyes. Flavour and memory are the most important.”

“Graeme and I have created a menu for guests according to place, and the time of year. When he worked with me at The Elm, Graeme used local ingredients. It’s about respect. I want to support the local fishermen and producers.”

He rebuffs my question about technique. “I hate the term,” he says. “When you sit down to a meal, it’s to a story that we’re telling. It’s for us to tell you the story. Food is the only industry where we use all of our senses – look, taste, smell, etc – then you just know when it’s something special. It’s a bit like being in love. Also, it’s the only industry where we put something inside ourselves, where we put our work inside us.”

Both chefs agree that hospitality is one industry that has not changed dramatically, unlike others such as private dentistry where clients are willing to pay the highest prices for a half-hour appointment.

“Our is a high-energy industry. You can’t automate it; it takes a lot of skill and experience to get all the gears to move at the same time,” says chef Liebrandt. “No mechanism can do that for you; it’s hands-on manpower. That hasn’t changed ever. So it’s about economies of scale.”

Chef Liebrandt attended Westminster college and initially intended to follow his father’s footsteps and join the military, but changed his mind and left at age 15 to work at commis chef at the legendary l’Escargot in Greek Street in London’s Soho, where he remembers learning to make Pommes Dauphine filled with orange confit.

Was it difficult? “I don’t remember – I had nothing to compare it to at that age,” he says, adding: “I learned from my father that if you’re going to do something, do the best you can do and be the best you can be,” he says. “I really enjoyed food and cooking, and decided that I wanted to compete at the highest level.

“It's not easy; this is a really hard business, tough and very unforgiving.”

He’s happier to discuss influences on his cooking. “I do enjoy South-east Asian, yes, and Nordic, but my training was French. French is the basis of global gastronomy. That is something I will say, and I will not not say it ever,” he says.

What does he reckon is the next thing in global gastronomy? “People are more knowledgeable about food, and after being cooped up for two years are more open to trying global influences on food.

“There’s always going to be a cuisine du jour: Ferran Adria at El Bulli in Spain redefined gastronomy through the lens of Spain, Rene Redzepi at Noma through the lens of Scandinavia. Mexico, Korea, are steeped in their country’s history. And younger chefs are interpreting that.”

And Scotland? “The lineage in Scottish talent is strong. Andrew Fairlie, plus others like Graeme and Tom Kitchin travelled the world to hone their skills and came back, being amazing ambassadors for their country. The next generation learned from them and now young chefs are staying here and cooking through the lens of their own country.

“Scotland is one of those places where you have the feeling it’s on the cusp of a gastronomic explosion of ideas and talent that it hasn’t had before.”

In the kitchen behind him, phones are ringing, urgent messages are being whispered and the buzz of creative chaos is building. Chef Cheevers is keen to get on with the setting up of an off-site prep kitchen to allow for normal service in the restaurant. Before we part, Chef Paul says: “There’s always going to be the next thing. I just focus on making people happy through sentiment.”

ENDS

 

 

 

 

 

Native Angus beef takes on world-famous Wagyu - in Hong Kong

A Forfar farmer is set to turn the tables on Far Eastern Wagyu with the first export of Native Angus beef to Hong Kong’s top food hall.

A ribye cut of rare Native Angus, grass-fed and beautifully marbled, from Geordie Soutar of Dunlouise farm.

When the meat from a two-year-old Forfar-raised native black Angus steer named Jipsey Wallace - raised by Geordie and Julia Soutar of Dunlouise Farm in Angus - went on sale this week at Hong Kong’s upmarket city’super food hall, gastronomers in the Far East got a rare bite of Scotland for the first time anywhere in the world (apart perhaps from Edinburgh, where a small tasting event was held last year in the St James Quarter).

At city’super a choice of various cuts of Native Angus beef - including steaks, flank for stir-fry, and even beef sashimi - are set to be displayed alongside the world-famous grain-fed Wagyu beef originally from the Far East, which is widely celebrated for its fatty marbling and melt-in-the-mouth texture.

I think this is a fascinating development even if you’re not necessarily into agriculture, farming and even consuming beef. Original Native Angus a new-to-market Scottish product that has crystal-clear provenance, is more environmentally sustainable, and it also meets a growing movement away from grain-fed meat, especially with the soaring price of imported grain for animal feed. Apart from that, I like the idea that it’s going head-to-head (or horn-to-horn) with the world-famous and expensive Wagyu (pictured left), which is fed on grain.

Unlike the better-known and ubiquitous Aberdeen Angus, Native Angus contains no imported bloodlines, is finished only on grass as opposed to grain, and is descended from the original 19th century breed native to Banff and Angus in the 1830s. By contrast Aberdeen Angus is one of the most famous beef breeds, developed originally from the slow- maturing, black, horned cattle of Forfarshire (now the county of Angus) which were crossed with other breeds.

The Angus was widely exported during the 20th century and there are large populations of the breed abroad particularly in the U.S.A, Canada, Australia, New Zealand and South America. Many of these animals have been imported into the UK and widely used - thus endangering the original Angus population.

In fact the entire Native Angus breed was facing wipe-out until 1995, when Geordie Soutar of Dunlouise farm in Angus saved it from extinction.

Geordie Soutar, who recently received an MBE for his efforts in keeping and maintaining a global genetic pool of Native Angus, said: “This is a new venture for us and I think it is absolutely tremendous. So far we’ve been very hi-tech, exporting semen and live breeding animals in our bid to establish the blueprint of the breed.

“But this is pretty unique because it’s the first time the meat from a steer with full Native Angus pedigree will have been exported and go straight to retail.

“It’s not supermarket beef; this is a premium retail product more expensive than normal meat. The beast has never left the farm in its life and has never eaten cereal. It’s healthy beef that ticks all the right boxes in terms of clear provenance and environmental benefits as well as fantastic flavour.

“Jipsey Wallace is bred slightly fatter with more marbling as is beef sold in Asia. I would think at dity’super they will probably sell it as thin slivers or cubes to be served with rice. It will be very interesting to see the reaction in Hong Kong. If the feedback is positive we have two more steers in the pipeline to send. 

“It tickles me to think that we’re now sending Native Angus beef to Wagyu country.”

Andrew Duff of MacDuff speciality meat wholesalers in Wishaw, who sold the Native Angus beef to city’super via a Scottish food exporter to Asia, said: “This is a really significant move, the next step of a truly grassroots movement.

“It is another key moment in the breed’s regeneration and resurgence. It means that the original Scottish bloodlines are coming into a major emerging global market.”

Jipsey Wallace with Forfar farmer Geordie Soutar MBE and his wife Julia.

ENDS